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RenaissanceOne of the distinguishing features of Renaissance art was its development of highly realistic linear perspective. Giotto di Bondone (1267-1337) is credited with first treating a painting as a window into space, but it was not until the writings of architects Filippo Brunelleschi (1377-1446) and Leon Battista Alberti (1404–1472) that perspective was formalized as an artistic technique.[25] The development of perspective was part of a wider trend towards realism in the arts. To that end, painters also developed other techniques, studying light, shadow, and, famously in the case of Leonardo da Vinci, human anatomy. Underlying these changes in artistic method was a renewed desire to depict the beauty of nature, and to unravel the axioms of aesthetics, with the works of Leonardo, Michelangelo and Raphael representing artistic pinnacles that were to be much imitated by other artists. Concurrently, in the Netherlands, a particularly vibrant artistic culture developed, the work of Hugo van der Goes and Jan van Eyck having particular influence on the development of painting in Italy, both technically with the introduction of oil paint and canvas, and stylistically in terms of naturalism in representation. Later, the work of Pieter Brueghel the Elder would inspire artists to depict themes of everyday life.
Madonna and Child and Two Angels
Madonna and Child and Two Angels
The Birth of Venus
The Birth of Venus
Mona Lisa
Mona Lisa
The Last Supper
The Last Supper
Virgin of the Rocks
Virgin of the Rocks
St John the Baptist
St John the Baptist
The Virgin and Child with St Anne
The Virgin and Child with St Anne
The Madonna of the Carnation
The Madonna of the Carnation
Leda
Leda
Madonna with the Yarnwinder
Madonna with the Yarnwinder
St John in the Wilderness
St John in the Wilderness

  

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